|
|
||||||||||||||||||||||||||||
   |
> Criticism |
|||||||||||||||||||||||||||
|
Paolo TIETO The range of the material realities is variegated indeed and the objects in general that they capture the attention and the interest of Sandro Cellanetti in the personal creative-pictorial activity, in the execution of works graphic-colorist. To begin from the old farms, cultured in the forms and in the most different ways, to reach therefore to so many suggestive detail what a bricks clipping or of tiles, an old balcony, a draft modest handle, benefit and decorum of portals of old home. Reality all, even though now more and now less remarkable, connected to the daily paper, to the life of the man that normally assumes in such representations role of primary importance, of protagonist. Sometimes with aspect of adult person, other times instead of young prostate or of playful young boy, always however what figure of I detach some servant some true being of the world. Since Cellanetti uses to insert in his own pictorial creations a whole fantastic universe, a whole elements that they oscillate, as a rule, between the reality and the most fervent and bright fantasia. Lines apparently drawn you uninhibited and free, but in concrete layouts instead with shrewdness and rationality, prepared with well precise aims, constantly in vision of specific objectives, of precise finishing lines. Graphic weavings that capture and they hock the mind in the individualization, behind features constituted by sign and color, of ideas, of concepts, than the human inventiveness is able to conjecture and to produce. It is to the inside therefore of such elaborate treatments of sign, of real forms now and you now idealize, abstract, a whole rich range of different colorations is attested, continually drawn by a radiant discordant palette, always new. To begin from the red, turned on, of flame, to the gilded yellows; you give slim blues of pearl to the candid, immaculate whites. All gradations that punctually they extend to clear brightness to splendid brightness. And so also for the brown ones, discordant generally for them nature to the luminescence, but here, in these cloths, gifted them also of a particular grandiosity. Spread out colors besides gracefully, in orderly way and cleaning up, such to allow to every single shade to clearly differentiate him from every other and to do suitable, correct I detach with the strength typical of his own peculiarities. It is characteristic after all it specifies of this artist to know how to use the colors in way all proper, to succeed in making them cheerful, bright, loads of vital rushes in their trial clear to dark, in the alternation of accords and oppositions, almost a low musical symphony. Yes because the image when you/he/she has effected, over that with technical ability, with natural propensity, with transport and passion, it is poetry, it is music. This way they appear in fact some "imaginary places", some "fogs" and other anchor fanciful subjects of Cellanetti, whose background atmospheres, spacing out himself, forgives him in metaphysical spaces and human beings and different things, you delineate in different plans, they become consistence "empirical", done unreal. Representations surely of mental die fundamentally, of busy search, with the precise intent to individualize, rather to find for the art pictorial new models of figuration, other criterions and different graphic-expressive forms, in tuning with the appeals of the present time, of the actual era. Aims of certain arduous, brave, which succeeds always difficult to extend, but to which CELLANETTI has been aiming with courage and tenacity for years, confident to succeed in his own intent, in the intention to contribute to open to the art pictorial new perspectives, new horizons. Vito APULEO His is a search that reenters in the vast thematic that to the re-appropriation of the specific painting and the imagine look with a renewed attention. And the appointment is acceptable, once framed the choice of that uneasiness of the civilization that there purses. Il problem if it is as is possible for an Artist to live this disage not to be made the poetry confuse him with the poetic. To try on this ground, is therefore understanding to pursue. Umberto ZACCARIA Cellanetti repeats in his cloths the miracle of the transfiguration of the things that the nature offers ago in spontaneous way, e it with a search creative and chromatic in which technique and fantasia, legate from a particular graphic, it finds a limit only in a demand that the artist feels as an imposition; that to exalt the characters of the things that he loves and that they give him a long live emotion, the simple nature of the warm objects still of the human touch that has made them enter one poetic composition of his.
|
|||||||||||||||||||||||||||